BRUSHING THE TATTOO

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A very curious and original tattoo. Getting a tattoo on your head makes even more sense when your haircut matches the face of the tattoo you got stamped.

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And in today’s “Hotties that you always want by your side and their Instagram accounts”… Sarah Kohan.

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Una publicación compartida de MOONSTRUCKTRAVELLER 🦏🌙🦋 (@sarahkohan) el 6 Dic, 2018 a las 8:24 PST

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Una publicación compartida de MOONSTRUCKTRAVELLER 🦏🌙🦋 (@sarahkohan) el 7 Ene, 2019 a las 5:19 PST

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Una publicación compartida de MOONSTRUCKTRAVELLER 🦏🌙🦋 (@sarahkohan) el 26 Dic, 2018 a las 8:43 PST

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Una publicación compartida de MOONSTRUCKTRAVELLER 🦏🌙🦋 (@sarahkohan) el 26 Dic, 2018 a las 7:03 PST

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Una publicación compartida de MOONSTRUCKTRAVELLER 🦏🌙🦋 (@sarahkohan) el 18 Dic, 2018 a las 1:05 PST

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Una publicación compartida de MOONSTRUCKTRAVELLER 🦏🌙🦋 (@sarahkohan) el 12 Dic, 2018 a las 10:34 PST

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Una publicación compartida de MOONSTRUCKTRAVELLER 🦏🌙🦋 (@sarahkohan) el 29 Nov, 2018 a las 8:56 PST

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An excellent close up of a good blowjob… Spanking her roommate… And a shower with Bunny Colby.

REVIVING ICONS

Now we can see Marilyn Monroe talking on an iPhone, Lincoln moving his lips as if he's about to deliver a speech, and Einstein gesturing while explaining a theory. Even the Mona Lisa is no longer just a static image—she seems to observe us with an almost lifelike expression.

Thanks to AI, these historical figures come to life in motion, as if instead of being immortalized decades or even centuries ago, it had only happened a few weeks back. Strange, but also fascinating. It won’t be long before we see them telling their own stories.



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Awards ceremony.

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WHAT WON’T A GRANDMA DO FOR HER GRANDDAUGHTER

The cultural clash between generations is undeniable, but in the end, you either adapt or at least tolerate it. There are things a grandmother would have never imagined in her youth, yet here she is, decades later, appearing in a video where her granddaughter is doing dances that would have scandalized half the neighborhood back in the day.

She doesn’t get it, and it’s not like she finds it amusing, but she’s also not about to start preaching about what’s right or wrong. Times change, younger generations do whatever they want, and older folks—though with that classic "this didn’t happen in my day" look—just shrug it off. You don’t always have to understand, sometimes you just accept that the world isn’t what it used to be and move on. After all, at this point, what’s the point?



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Putting on a Condom: PRO Level

She’s Riley Reid, and in this link, you can watch several of her scenes.




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WHITE ART

Do you ever feel like you just don’t get art? You’re not alone. A lot of people see it as something complicated, full of interpretations that seem to come out of nowhere.

The truth is, art doesn’t have a single way of being understood. There’s no right answer, and many so-called experts are just repeating what they’ve heard or trying to sound sophisticated—but deep down, they’re just as lost as you.

Art is subjective. Sometimes it hits you, sometimes it leaves you cold, and that’s okay. You don’t have to understand it the way others explain it. If something catches your eye, makes you feel something, or just intrigues you, that’s your connection to art, and it’s just as valid as anyone else’s.

That being said, here we have a guy covering himself in white paint—or some kind of plaster, I don’t even know—and leaving marks on the floor. Is it art? Well, if they say so, sure. But I’m sharing it with you for another reason: watch how a woman from the audience seizes the moment to cop a feel—gloves and all. Honestly, the second video got to me more than the first. The first one is just for context.

Now, if I stick to what I said earlier… does that make the second video art? Well, by that logic, yes—it is.



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I saw fear in his eyes.

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NARCISSISM AND SOCIALMEDIA VOL30

It's funny how when we see someone recording themselves in public, talking to their phone and exaggerating gestures, we feel a strong sense of secondhand embarrassment, yet that same video seems much more normal when we see it on social media. It might still make us cringe, but we process it differently. The key difference is that in real life, we don’t just feel discomfort—we perceive the person as ridiculous, out of place. On social media, even if they still seem absurd, the format smooths out that awkwardness and makes it easier to digest.

Editing, music, and dynamic cuts help frame the content in a way that fits the kind of media we consume daily, but if someone seems ridiculous, they’ll remain so, with or without filters.

Another factor is the break in reality. Watching someone film themselves strips away the illusion, like seeing a magician set up a trick before performing it. Then there’s the difference between witnessing something and being an audience—on the street, we feel like unwilling participants in something we didn’t choose to watch, whereas on social media, we’re already in consumer mode, so even if something makes us uncomfortable, it doesn’t trigger the same rejection.

Social dynamics also play a role. When we see someone recording in public, we share the secondhand embarrassment through glances or comments with whoever is next to us. But online, there's no external reinforcement, and we process it in a completely different way.



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Today's slow-motion moment.

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PLAYING WITH PHOTOSHOP AI

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Sharing with you another batch of videos we received a while ago, where they play around with Photoshop’s AI to auto-complete photos of celebrities, album covers, and other iconic images.



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Embarrassing moments.

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THE FUTURE OF ROBOTS AND THE EMPLOYMENT DILEMMA

It’s becoming increasingly clear that androids will soon be part of our daily lives, taking on household chores, grocery shopping, and even jobs in factories, logistics, and construction. Automation is advancing with the goal of reducing costs and increasing profits, but this raises a major issue: if robots take over our jobs, where will we get the money to live? If too many people are unemployed, who will buy the products these companies produce?

There are two possible scenarios. One is the creation of a new economic model, where automation forces the implementation of a universal basic income to ensure financial stability for those who can no longer find traditional jobs. This way, consumer spending remains active, and the economy avoids collapse.

The other scenario is a transformation of the job market. Just like the Industrial Revolution eliminated some jobs but created many others, automation could generate new professions we can’t yet imagine. Humans might shift towards creative fields, tech-driven roles, or industries where empathy and human interaction remain irreplaceable.

What’s clear is that if we want a future where robots make life easier without triggering social collapse, we must rethink the economic model. Technology is progressing, but without a strategy for adaptation, the risk of a consumption crisis is real.



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The slow-motion moment of the day.

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